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Worthy Quote

Mac Wellman, who shared with me his frank opinion of the purpose of graduate playwriting programs: "to replace the Bohemian communities we had in the 1960s." (Wellman heads his own graduate program at Brooklyn College).

From an article by playwright Clarence Coo for the Playwright's Forum. 

You Don't Need No MFA

We are a small, but growing collective of individuals who feel it is important to spread the word that it is not necessary to have a Masters of Fine Art (or other advanced degree) in Creative Writing in order to have a successful writing career. While it is true that some people benefit from such degrees, they are expensive, time-consuming, and not necessarily the most nurturing enviroment for writers. We want to show you that there are alternatives.

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from Jim Harrison
Feb 04, 2007 at 04:26 PM
From Jim Harrison's essay, Don't Feed the Poets, for The New York Times' Book Review on 28 January 2007.

I recently wandered through my home library in Montana and rediscovered Karl Shapiro’s “Bourgeois Poet” (1964), a book of prose poems I first read during the vile winter of 1966. My wife and I had moved back to northern Michigan, after I’d left behind a good job in Boston on the promise of my first book of poems, “Plain Song,” having been accepted by Norton. I don’t recall what shape I expected the promise to arrive in: I ended up trimming Christmas trees and working construction for two and a half bucks an hour. Our rented house was only $35 a month, but it was drafty, the furnace was faulty and frequently the place couldn’t be brought up to 55 degrees. All of these numbers can actually describe a life.

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Why so many?
Dec 09, 2006 at 11:10 PM

Why are there so many more writing programs today than there ever were in the past? Are there really more jobs available to writers? Or there just more universities who want to cash in on the hopes of dreamers with a lot of disposable income?

Growth of MFA programs
* Taken from the AWP website.

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Last Updated ( Dec 10, 2006 at 08:54 AM )
What Famous People Did to Hone Their Craft and Pay the Bills
Feb 04, 2007 at 12:34 PM
While many writes have chosen to teach to make ends meet, there are many who took different paths:
  • Louisa May Alcott - seamstress, domestic helper, governess
  • Aphra Behn - spy
  • Louis Begley (winner of the 1992 Hemingway Foundation/PEN Award) - continues to work as a partner at a law firm
  • T.S. Eliot - editor at a publishing house
  • William Faulkner - factory worker and screenwriter
  • Barbara Kingsolver - science writer and journalist
  • Ted Kooser - insurance representative
  • Zora Neale Hurston - anthropologist
  • Pablo Neruda - diplomat
  • Dorothy Parker - piano player at a dance school, later hired by Vogue
  • Wallace Stevens - an insurance executive
  • Amy Tan  - worked as a language development consultant and a freelance business writer
  • Walt Whitman - worked as a nurse
  • William Carlos Williams - a doctor
We know we're missing many other great examples. Help us out if you know some that aren't on the list. Write Comment (1 comments)
Last Updated ( Feb 04, 2007 at 04:37 PM )
Credo

If the best thing about MFAs is that they help build a community of writers, what does it say about the community that they have to spend $20,000-$50,000 and take a few years out of their lives to build it? We support alternative communities without entrance fees and want to ensure that people without MFAs are not excluded from publishing. We also enjoy food, drink and good company. Feel free to join us.

Polls
If you couldn't/can't afford an MFA, what other programs would/will you participate in?
  
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